Italian Painter (1544-1597)   Related Paintings of Francesco Morandini Da Poppi :. | Young Girl in a Green Dress (mk35) | A Country Wedding | The Garden at Kervaudu | Falstaff | Grapes and melon eater |
Related Artists:
Bernardo Lopez
1801-1874 Spanish Bernardo Lopez Gallery
Alfred Dehodencq
French Painter. Paris 1822 - Paris 1882. Specializes in Orientalism. French painter born in Paris. Well known for his vivid oil paintings depicting slices of life in the world around him. During his early years , Dehodencq studied in Paris at the Ecole des Beaux Arts under the tutelage of famous French artist Leon Cogniet. Following the French revolution of 1848 he spent five years in Spain where he became acquainted with the works of Spanish painters Diego Vel??zquez and Francisco Goya which had a strong influence on his approach to painting. In 1853 he travelled to Morocco where for the following ten years he produced many of his most famous paintings depicting scenes of the world he encountered. While he considered himself to be a 'Last of the Romantics', his work is generally categorized in the mid 19th century realists artistic movement. Dehodencq was the first foreign artist known to have lived in Morocco for an extended number of years. He returned to Paris in 1863. He died in 1882
Carl Spitzweg
German Painter, 1808-1885 German painter. He trained (1825-8), at his father's insistence, as a pharmacist, by 1829 becoming manager of a pharmacy in the Straubing district of Munich. From 1830 to 1832 he made advanced studies in pharmacy, botany and chemistry at the University of Munich, passing his final examination with distinction. On receiving a large legacy in 1833, which made him financially independent, he decided to become a painter. He had drawn since the age of 15 and had frequented artistic circles since the late 1820s; but he had no professional training as a painter. He learnt much from contacts with young Munich landscape painters such as Eduard Schleich the elder and produced his first oil paintings in 1834. In 1835 he became a member of the Munich Kunstverein but left two years later due to disappointment over the reception of the first version of the Poor Poet (1837; Munich, Neue Pin.; second version 1839; Berlin, Neue N.G.), a scene of gently humorous pathos that has since become his most celebrated work. Spitzweg's decision to leave the Kunstverein, however, was also encouraged by his first successful attempts to sell his paintings independently. In 1839 he travelled to Dalmatia, where he made sketches that he used for many later works on Turkish themes (e.g. the Turkish Coffee House, c. 1860; Munich, Schack-Gal.). From the 1840s he travelled regularly, usually with his close friend, the painter Schleich, both within Bavaria and to Austria and Switzerland and also to the Adriatic coast, especially to Trieste.